“Vincent: All right. Well, you can walk into a movie theater in Amsterdam and buy a beer. And I don’t mean just like in no paper cup; I’m talking about a glass of beer. And in Paris, you can buy a beer at McDonald’s. And you know what they call a Quarter Pounder with Cheese in Paris?
Jules: They don’t call it a Quarter Pounder with Cheese?
Vincent: Nah, man, they got the metric system. They wouldn’t know what the f#$k a Quarter Pounder is.
Jules: What do they call it?
Vincent: They call it a “Royale with Cheese.”
(the above dialogue as we know is from Tarantino’s immortal film “Pulp Fiction”- a film which gave to the American pop-culture as much as it borrowed from it)
At a crucial juncture in this film, the narrative came to a sudden standstill for me- the scene shows an important character, at once, finding herself in the proverbial Hitchcockian motif of ‘the innocent man caught up in a an impossible situation’; the character is stranded, unable to fend off questions asked by our ‘agent’, with his/her only source of proving his/her innocence, seemingly lost. This tense situation in the film, is created by surreptitiously referencing to Bachchan’s ‘Don’, wherein another character, who is a Pakistani Army General named ‘Ifthekar’ (the actor Ifthekar played DCP D’Silva in 1978 Don who also created a similar situation there too), is bumped-off…..