The End of Simplicity- On Doordarshan’s “Farmaan” and the state of Indian TV

This one is for my co-blog owner (DD is the only thing we both seem to agree on. I admit that i had no idea about the serial before she told me about it). I found this article on a blog while randomly surfing online

The End of Simplicty

– By Reema Moudgil


“After years of search on YouTube, I finally stumbled upon Farmaan, a Doordarshan serial directed by Lekh Tandon. Based on the Urdu book Alampanah by Rafia Amin, the serial starring Kanwaljit Singh and Deepika Deshpande was a restless memory that even two decades could not erase. And for good reason. The story telling was honest to the spine of the book as it brought to life Hyderabad’s Nawabi culture in the throes of change, financial challenges, the disintegration of tehzeeb and more, in real havelis and high-pillared corridors, and not fake, overdone sets, And amid all this was the love story of a bitterly dark Aazar Nawab (a dapper Kanwaljit Singh) and the delightfully spunky Aiman Shahab played by Deepika Deshpande who even without fake eyelashes, loud make up and gaudy sarees looked like the kind of a girl who could challenge and reform a rake.

The story had the intensity, tugs and hooks of a Mills & Boon romance. Only it was much better, layered as it was with the poetry, interesting dialects, the various colours of Urdu spoken by the aristocrats and those who worked for them and then there were the authentic locations, from forests to bungalows to havelis being converted into hotels to keep up with the times. Everything rang true and it flowed without investing any worry in whether the audience would take to the story, its pace, its zubaan or its characters, some of whom were unapologetically unglamorous. And yet, here we are, still remembering it all these years later because it did not dumb down or sell out its vision. Because it aspired to be a classic and became one.”….

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